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CADENCES 



By 



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EDITH LYNWOOD WINN 



BUFFALO 

CHARLES WELLS MOULTON 

MDCCCXCVIII 






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Copyright, 1898, by 
EDITH LYNWOOD WINN 



%o ®Xa friends. 

J6acb sear to ancient trienDsbips aDDs a ring, 
Bs to an oaft, anD, prectous more an5 more, 
THattbout Deservinoness or belp ot ours, 
ZhC'Q grow, anJ), silent, vviDer spreaD, eacb sear; 
^beir unbougbt ring of sbelter or of sbaDe. 
SacreO to me tbe licbens on tbe barh, 
Taabicb IKlature'6 milliners woulD scrape awai?; 
/Bbost Dear anO sacreD evers witbereD limb ! 
ds gooO to set tbem carls, for our faitb 
pines as we age, anD, after wrinhles come, 
3f ew plant, but water DeaD ones witb vain tears. 

— Sames tRuesell lowell. 



CONTENTS 

PAGE. 

The Transfiguration of a Stradivarius, . 11 

Der Droschken-Kutscher, 25 

Woman, Why Weepest Thou, .... 29 

John Bradley's Wife 31 

Hymn, 39 

A New England Village, 1879, ... 41 

To Miss C. G., 48 

Christian Endeavor Hymn 50 

To a Friend on Her Departure for India, 52 

To Miss S. M 54 

Extract from Class Poem, .... 56 

To Be or Not To Be, 57 

AuF Wiedersehen, 62 

A German Idyl, 66 



PKEFACE. 

<2^j^DITH Lynwood Winn was born in Fox- 
^5^ boro, Mass., a suburb of Boston. Her 
early life was spent in the public schools 
of her native town. She was graduated from 
the High School, the youngest member of her 
class, when scarcely seventeen years of age. 

She then entered the Framingham, Mass., 
State Normal School, from which institution 
she was graduated in her nineteenth year, one 
of the youngest members of a large class. She 
then assumed the duties of teacher of history 
and methods in Fairfield Military Academy, 
Fairfield, New York, where she remained two 
years. She had played the violin since her 
childhood, and had received some instruction. 
Her love for her chosen instrument became 
so great that she resigned her position at Fair- 
field and went to Boston, where, for about nine 
months, she was the pupil of Julius Eichberg, 
then director of the Boston Conservatory. 
During this time she held the position of 
teacher in the schools of Medfield, Mass., it 
being a rule in that State that all Normal 



viii PREFACE 

graduates should teach at least one year in the 
public schools of the State. 

Her health failing, she was obliged the fol- 
lowing year to accept a position in the South 
at Shorter College, Rome, Ga., where she 
taught Latin and algebra and had a few pupils 
on the violin, mandolin and guitar. Her 
health being completely restored, on the 
following year she accepted the position of 
teacher of violin and history in Beaver College 
at Beaver, Pa. From this time she began to 
give her whole attention to music. She 
studied voice and later the violin during the 
summer season with Bernhard Listeman of 
Chicago. 

She accepted the position of non-resident 
teacher of stringed instruments m Beaver, 
Geneva and Westminster Colleges. She 
determined to devote herself to music alone 
and to better prepare herself for that work. 
She received a leave of absence for one year, 
which she spent in Berlin as a pupil of Prof. 
Johann Kruse, of the celebrated Joachim 
Quartette. While in Berlin she wrote constant- 
ly, being a correspondent for the "Etude," 
"Musician," "Music" and other well-known 
magazines. Her health again breaking down 



PREFACE ix 

she was obliged to spend the summer in Pom- 
mern, one of the northern provinces of Ger- 
many. In September she returned to Amer- 
ica, where she has been constantly teaching 
and giving concerts and lectures on music and 
on life in Germany. She has made a tour of 
Eastern Massachusetts, Western New York 
and Western Pennsylvania this year, but she 
has given much time to teaching. Her poems, 
"Cadences," will be followed by a novel 
— "Berolina," dealing with music-life abroad. 
While Miss Winn regrets that she has not 
given her whole time to the cultivation of one 
gift, she believes that there is a verse which 
reads for her and will ever spur her on, 
"Whatsoever thy hand findeth to do, do it." 



Ca^encc0 

THE TEANSFIGURATION OF A STRA- 
DIVAEIUS. 

From "Berolina— A Novel." 
I. 

'2'l^AR back in the sixteenth century, 
^ There stood a mighty forest tree 

In Southern Tyrol — so they say — 
Where nought but saplings grow today. 
This sturdy pine had much to do 
"With me. I'm recondite. Are you? 

II. 

Ah Tyrol ! Now no more you vaunt, 
Those mighty timbers resonant. 
Acoustic properties? My soul ! 
Your saplings, non-commissioned, stole 
Of priests that stately forests stood. 
Are not of Stradivarius blood. 

III. 

That forest tree of which I spoke 
Is part of me, (I make no joke.) 

11 



Cadences 

'Twas felled by woodman's axe and sent 
To fair Cremona, whence it went 
To swell her annual timber feast — 
That fine old pine, my quondam priest. 

IV. 

Beneath the sun, all seasoned fine, 
Anon we lay — fair woods — some pine. 
Our powers vibrational for art 
These master makers knew by heart, 
By weight, by sight, by all the aid 
That keen and studied choice had made. 

V. 

A dainty strip — another so — 

The master shot with long knife blow 

Off from the body of the tree. 

Close fibred as with sympathy. 

He passed my pine, saw dozens more, 

Quick tested them, rejected o'er 

And o'er again — came back at last 

To choose but me, to hold me fast. 

VI. 

Well, pine then part of miracle 
Of wood, so indestructible 
That old and marred — yes, all apart — 
It could again be new by art; 



12 



Cadenced 

Its joints repaired, its ribs made strong, 
Its tail-piece new, its neck along — 
Became a violin, in fine, 
Grand Pattern Strad — say number nine. 

VII. 

Long, long within the shop I dwelt. 
My master oft my pulses felt, 
And softly o'er the trembling strings 
Drew bow, till air seemed full of wings. 

IX. 

Said he one day, "Me you must leave." 
Then musing, "Filippo doth grieve." 
That day there came a dark-haired man. 
Hard-featured, sullen, swart with tan; 
Me he adored, allegiance — crazed; 
My tones he heard, half -awed, amazed. 
There in that dusky shop, half hid 
By the church of St. Dominic, he did 
Such magic draw with bow and string 
That e'en my master's mind took wing; 
So that he left his work beloved, 
A thing in many years unproved; 
For master neither thought of men, 
Nor politics, nor siege, — and when 
He slept — that workman consummate — 
None knew, nor when he talked nor ate. 

IS 



Cadences 

X. 

I see him yet, nor man nor boy, 
A wizard-like, white-capped envoy 
With leather apron on awry. 
Accoutred low, in genius high; 
His mind so bent on seeking Truth, 
'Twas said he never had known youth; 
Ilis trade his life, his world his own, 
Incomparable he stood alone. 
'Twas so I knew him centuries back — 
Great Stradivarius, alack. 
Worn out with secrets precious pent, 
When I was on my mission sent. 

XI. 

Forgive diversion. So I went 
With lofty aim and mind intent 
To bless the world. I heard the gold. 
Filippo paid the price, I'm told, — 
Filippo, man of dusky hue. 
Friend of my master — as men true. 

XII. 

He played Adagios — weird strains — 
Vivace when the tempo gains, 
Then presto with a hundred trills, 
And double stops in shivering thrills 



14 



Cadences 

With death-like madness, till his breath 

Came thick and fast — nor life nor death 

Was in his face — fortissimo 

Shrieked strings to bow ! 

Then changed his mood. But whispered he 

A dream of Southern, quiet sea 

Sun-kissed in summer, redolent 

With blossoms of the Orient. 

'Twas witchery ! They smiled who wept, 

As genius fathoms-deep yclept 

Confronted them. Some saw aright — 

A human soul cried out for light! 

XIII. 

That wiry man with deep set eyes 
Had fathomed all the mysteries. 
Depths of all passions, which have slept 
In calmer men, have outward crept 
Alone in men of life intense. 
Who've lost the star of hope and sense. 

XIV. 

Yet he had caught a glimpse of heaven 

One day. His heart was leaven! 

He loved a woman — him she feared; 

He lost her — friends but laughed or Jeered; 



u 



CaOences 

Temptations came when love was lost. 
His heart went into music. Frost 
Came mingling with his raven hair — 
Well, woman's loss made foul of fair. 

XV. 

'Twere well for him he loved his art; 
He lived in it, 'twas his apart. 
Weird music of aonther world ; 
Strange vistas oft before him whirled. 
Men heard, amazed, these mysteries, 
These supernatural elegies, 
The discourse of a maestro. 
And called him wizard here below. 
God knows the heart of man and he 
Sees in each life nobility; 
The frail deplores, the good commends, 
The genius knows — its noble ends. 
Men are but creatures, twisted, bent 
It maybe, — of environment. 
I know that Grod spoke in the man, 
Through passion mantling cheek of tan. 
No struggle without peerage there. 
No effort without half -said prayer. 
No sympathy without Christ-like soul. 
Dwarfed, it is true. Man is but mole. 



16 



CaOcnces 

XVI. 

Time passed. The man that_smiles or tears 
Drew at his will, mid loudest cheers, 
All Vulcan-spent, laid down his life. 
Death disenthralled, all doubt and strife 
Were naught to him — Italia's own. 
I, his heart's love, was left alone. 

XVII. 

I dwelt again in shop — years passed ; 
My value grew — importance vast ; 
At last there came a buyer grand. 
With tawny beard and soft white hand, 
An amateur with pounds to spare ; 
Heaven help me, how his eyes did stare I 
He felt my back and graceful neck ; 
He drew some frigid tones, a check 
To throbbing heart and sensitive. 
A Strad. rebelled. I would not live 
A victim to such passion-lack ! 
I in a year to shop came back. 
My bridge had fallen, sound-post too — 
My master tired — wished something new. 

XVIII. 
In time on me a new sun shone. 
My gloom was joy, my night was morn. 

17 



Cadencea 

A Belgian, famed for wondrous skill, 

My hidden charms awoke at will. 

My slumbering senses stirred. He pressed 

Me, held me, soft caressed 

Till I gave out my heart, my life. 

To him, my Belgian — I his wife ! 

XIX. 

There is methinks in Music's sway 

A thing to poison one today. 

Tomorrow, recreate and bless; 

One's moods are strange, I do confess. 

You know that Beethoven D dur? 

As it your wakening sense doth lure, 

Your'e gay. The Schubert then in G? 

Ah Heaven, you're sad! Heart o'er the sea! 

From concert you go a better man. 

Who says God spoke not? 'Tis his plan 

Through art and music to control 

The longings of the human soul. 

Civilizer of the human race — 

Music ! — but Strad. must have its place. 

XX. 

To Belgium, happy, went I then. 
My virtuoso drawing men 

18 



Cadencea 

By cunning technique, breadth of tone, 
By high conception — I alone 
Kesponding to his soul, through wood 
With human instinct half -imbued. 

XXI. 

Some time went by. He died, this love. 

God took him, men do say — above. 

My soul then pined for years. I grieved. 

My power yet good, my gloss retrieved, 

I dwelt in case of glass. I slept. 

One day, in German shop, I wept 

At last to feel my neck soft pressed 

By hand of love. A man possessed 

With passion's fire and lofty aim. 

Nor yet unskilled, nor yet to fame 

Wide-known, well-loved me — that I felt; 

Like blushing maid, a Strad. can melt 

By word of love, by touch of hand. 

Can melt in pity — 'twas so planned. 

My soul sang, strings sang, bow sang loud. 

My Rhapsody drew forth a crowd 

Of lazy loiterers, within 

The storehouse of my kith and kin — 

The shop. I felt his fingers rest. 

As lover when he first has pressed 



19 



Cadences 

The hand he hopes one day to own, 
To safe install in his heart's throne. 
He played first softly — 'twas a strain 
Of deepest longing mixed with pain! 
He touched his trembling lips half -sad 
To neck of mine. It made me glad! 

XXII. 

I throbbed so he was not unmoved. 

He touched my strings again and proved 

My sweetness. Eomanze — Rubinstein 

He played — E major, half-divine ! 

I felt his power. I broke at will 

Into ecstatic, holy thrill ! 

He paused. He could not stand, for nerves. 

Well, he was human and that swerves. 

He loved me, — be it good or bad 

He'd sell his all to have a Strad. 

He took me — that's enough. That day 

I went with him in case so gay 

Of yellow leather, reverend. 

The world my home — this man my friend. 

Describe him? He was tall and strong, 

His hair soft brown, his eves like song; 

His mouth like woman's sensitive 

Yet firm ; his heart like sieve 

20 



GaDenccd 

When friend had need. His name — my boy? 

His name? I speak it softly, coy — 

Otto Von Cranach, Prince not he 

Save by innate nobility ; 

His armor Truth, his weapon bow, 

His^cause Humanity's wild throe. 

XXIII. 

That day young Otto quite beside 

Himself, with manly pride 

Addressed me: "You're a wondrous prize," 

Said he, "Ah, you shall see his eyes, 

Joachim's, when I hold to view 

Your lovely form and play on you ! 

His ecstasy I see — I know. 

Now can I see his two eyes glow!" 

XXIV. 

Then Otto sought his teacher straight. 
Eternal youth hath genius. Great 
Joachim came — could not refuse 
My boy, and straightway did enthuse 
Me — thing of wood — that glorious day ! 
I've ne'er recovered from his sway. 
He patted Otto's shoulder too, 
And said: "I hope great things for you, 



CaDenccs 

My boy. Guard well your Strad." 
I thought with joy my boy'd go mad! 

XXV. 

Time passed, he loving only me, 

Developed rirtuousity. 

One day (shall I that time forget?) 

My Otto seemed quite changed, and yet 

His genius broader grew each day. 

I felt his thoughts, though, far away. 

He loved. I knew it, felt its thrill ! 

'Twere better so. She felt my will. 

They played together Bach, Godard — 

(Duets for violins). He starred. 

She taught him how to breath out love 

In beatific strains that move. 

Sometimes she sat, now red, now pale, 

Unnerved, despairing, (woman's frail) 

And then anon quite strangely gay 

She talked to while the time away, 

But watching Otto's stolen glance. 

'Twas so they dwelt in Love's young trance, 

XXVI. 

That could not last. The climax came. 
She promised, well — she'd take his name. 

22 



Cadences 

0, highly gifted, noble man! 

Dear God, why changed you all the plan? 

They could not marry. It seems best. 

Love such as their's oft kills. Her breast 

Had pain enough to move the skies 

"When she had made the sacrifice ! 

I know not — some wild ricochet 

Shot through his frame. I, laid away, 

Heard smothered groan and wild appeal, 

Then shrieks that made my blood congeal. 

'Twas yesterday. Oh, pain and woe 

Back my poor body. He lies low ! 

My strings cry out, and throbbing wood 

Seem as a thing with sense imbued. 

I feel his hand — his dying hand, 

I hear his feeble half -command. 

My neck doth feel an iron will 

In touch of clammy hand. A thrill 

Comes 'er me! All is mystical. 

My Otto lies (I feel it all) 

On bed of death ! I see her there. 

No orange flower will crown her hair. 

My darling hears my last reveille, 

His requiem. He starts up, pale, 

And strikes me once — his hand like ice. 

I know not why I crash in trice. 



23 



Cadences 

My sound-post goes, my bass-bar too ! 
Otto is dead! A master new 
For me? Nay, I die ! God, let in 
My soul ! A Strad. hath nought of sin. 

Berlin, November, 1896. 



04, 



Cadences 



DEE DROSCHKEN-KUTSCHER. 

SAW him sitting at his post, 
'Twas on a bleak December day, 
Close on to Christmas I may say — 
Before I heard the New Year's "Pros't." 



4 



He was a sorry sight — unkempt, 

Too tipsy-rubicund, asleep 

Or meditating. . . . Skies that weep 
As often as Berlin's, men tempt. 

The restauration is near. 

And round the corner a bier halle; 

'Tis warm and bright on a winter's day. 
And nights there's dancing, singing, cheer. 

A poor old kutscher's not more weak 
Than he who sits in smart dress-suit 
Within the droschke, drunk to boot, — 

A saturant with champagne-beak. 

Ah no, for many's the time my swell 

The droschken-kutscher's brought you home, 
When you would from gesellschaft roam — 

A trifle much too gay — You laugh? 



S6 



Cadences 

Well, well, the kutscher has a heart. 
His frau knows — so do I. His frau 
Lives in a keller. Children now? 

Three boys — one dead. My quick tears start! 

One day she came not. I employed 
The kutscher' s frau. I was sore tried — 
Was going on a journey wide — 

Her long delay me quite annoyed. 

I knew the kutscher's number well — 
Four hundred six his cab had said ; 
I found him at the corner — head 

Bowed like a reed, he sat. Eain fell. 

I thought him glum — did him abuse- 
Asked sharply for his tardy frau. 
He came down from his box. . . Ah, now 

I see him in his monstrous shoes. 

I see his blue coat, seedy hat, 

His yellow collar — but his eyes 

I never shall forget. Surprise 
Upon my careless visage sat — 

Surprise and pity. Not a word 
The droschen-kutscher spoke to me. 
We drove away. I feh not free 

To question — curious, that deferred. 

26 



Ca&encc0 

We drove into a narrow street, 
So full of children, and of noise 
That I was deaf. A crowd of boys, 

Knapsacks on backs, from school ran fleet. 

The Jcutscher opened wide a door — 
It was his humble Jceller. There 
A woman stood. . . He touched her hair 

And whispered, ''Mutter,'^ — nothing more. 

The harsh rebuke, the petty whim, 

I had it in my mind to speak, 

Died on my lips. . . . This mother meek. 
Like a wounded deer ne'er smiled on him — 

Ne'er smiled on him, ne'er smiled on me. 
But, pointing to unfinished work, 
(Her ironing-board) — she sent a dirk 

Down to my heart of sympathy. 

Then, turning, beckoned she to me 
Where, in a tiny room beyond, 
I entered, unprepared, unwarned. . . . 

She bade me something touch and see. 

''Mein Kind!'''' she sobbed and shook like leaf — 
I stepped beside a bed to raise 
The coverlet. ... A waxen face, 

A child's dead face, explained Loves grief. 

27 



Ca&ences 

I kissed the little face and then 
I took the mother by the hand. 
I talked upon the Spirit Land — 

The Land beyond our grief and ken. 

And then we went back to the board, 
Where lay the robe so clean and fair 
The child should in its coffin wear; 

('Twas all the mother could afford.) 

I dropped a gold-piece on the hearth. 

Next day a wreath I sent beside. 

That was not all. ... At eventide 
I prayed for women who on earth 

Have lived and loved and struggled sore, 
Have had deep griefs too hard to bear. . 
Who takes no Cross no Crown shall wear. 

To love the poor's to love God more. 

POMMERN, June, 1897. 



28 



Cadencee 



WOMAN, WHY WEEPEST THOU. 

' OMAN, why weepest thou? Thy son 

still lives. 

Yes, God is good. He taketh, yet He 
gives. 
He picks the fairest and most precious flowers. 
His was the gift. The care of it but ours. 

Woman, why weepest thou? Thy son's rich 

store 
Of knowlede lives. Wouldst thou ask more? 
Doth not the Holy Book now speak new things 
To thee? What comfort, too, it brings. 

Woman, why weepest thou? But look around 
Where childless, yearning women oft are found 
Alone. And see'st thou not their hidden woe? 
They have not known thy joy below. 

Thine was a boon, when to thy throbbing breast 

He nestled every night to rest, 

Thy child, and later at thy knee 

Learned from his books half-mastered mystery. 



29 



CaOences 

Thine was the boon, too, when in later years 
Came he and brushed thy fair hair back 

through tears, 
And, half -ashamed to be a boy again. 
He told thee secrets in the old, old strain. 

And then when he had chosen to obey 
The call to serve his fellow men, thy yea 
Was a benediction, as thou smiled 
Approval, thanking God for child. 

Out from his books there came a solemn voice : 
"Thou, son, in fairer fields shalt be my choice. 
Out from the garden of the Lord 
I call thee home to minister to God." 

Then with a high, sweet smile, mother blest. 
Thy eldest, precious child, went home to rest. 
Look through thy tears and proudly raise thy 

head — 
God, passing others, chose thy son instead. 

Jan. 16, 1898. 



30 



Cadences 



€ 



JOHN BEADLEY'S WIFE. 

OME a little closer, John. 

Draw me to the window-sill, 
Ere the sun has once more gone 

Down behind the Chestnut Hill. 



Wrap me warmer, John, 'tis Spring 

A.nd the cold affects me sore. 
Since the cough grew worse. Oh bring 

That old shawl, the one I wore — 
That I wore, John, years ago 

When we walked o'er Chestnut Hill, 
Both with footsteps strangely slow. 

Past your father's house and mill. 
This old shawl was new then, John ; 

I was but eighteen, you say, 
Yes, and rosy-cheeked. You laugh? 

I was but a child that day. 

I remember how you stole 

Your young arm about my waist. 

As upon a grassy knoll 
You and I sat, modest-faced. 



33 



(ladencee 

"Nay," I could not say, dear^ John ; 

You then took my willing hand, 
Drew me to you. I like fawn 

Gayly sprang away. You planned. 

Sprang you from the grassy knoll, 

Seized me by my gingham dress, 
Bade me answer on my soul 

What I dared not half confess. 
"But the dew is falling, John," 

I replied, as though I heard 
Not a word you spoke, my John ; 

(Women oft defer the word.) 
Then you saw the warm, bright glow 

Of the evening sun upon 
My young cheek. You caught me — Oh 

And you kissed till day was gone ! 

The sun kissed the west, 

The dew kissed thejlowev, 
A youth kissed a maid — 

Oh for Love's power; 

Forty years have passed, dear John, 
Since our happy wedding day. 

In the village church, my John, 
Father's hand gave me away. 



32 



CaDences 

I can see my muslin gown, 

And my apple blossoms, too, 
Which the children of the town 

Over my light bride veil threw, 
And beneath my bride feet strewed — 

It was in the early Spring. 
One year from betrothal viewed 

I my golden wedding ring. 
In the twilight, John, that night. 

Wandered we upon the hill, 
From our guests quite out of sight ; 

And we sat beside the mill. 

Of the future, shy, we spoke — 
My housewifely lore, your skill 

With the mill and farm. Awoke 
My young heart in proud wife-thrill. 

"Little wife," you said, (The moon 

Saw a kiss upon my face) 
"God bless you! We must too soon 

With our guests resume our place." 

The moon kissed the river, 

The child kissed the flower, 
Clouds came and the winter — 

Oh for Love's power/ 



33 



Cadences 

Come a little closer, John, 

It is growing darker. Day 
Has all vanished ; night forlorn. 

Night of life comes. John, but lay 
Your gray head upon my breast. 

Do you hear my fond heart beat? 
I must soon have rest — long rest — 

To be near you is so sweet. 

Something strange I will confess : 

John, do you remember here 
Where I stood in bridal dress 

On our wedding night of cheer? 
Yes? The light was in my heart. 

Three years later, one gray day 
In the early Fall, (you start!) 

God took all the light away. 

John, she lay — my babe, my first, 

In this room — (Hush, I will speak) 
And, when I had heard the worst. 

With an awful, awful shriek 
I fell prostrate on her form. 

From my body young and strong 
Life and love — Oh love so warm — 

Breathed I on her, sobbing long. 

34. 



Cadences 

Then you took me from her side, 

Once again upon my cheek 
Pressed a kiss. I Heaven decried — 

Kaved and raved till I was weak. 
Well, we laid her then away — 

Little Mary, first and last. 
We have lived alone. I pray 

Not another wife may fast 
For the love, the bounteous love, 

Of a little welcome child. 
Wafted from the world above. 

Angel-winged and angel-smiled. 

The sun kissed the lily, 

It lived for an hour. 
Life Cometh and goeth — 

Oh for Love's power/ 

John, the rosy sun is setting 
Down behind old Chestnut Hill. 

"Long ago?" . . . The cow-bell ringing 
Was that or the whip-poor-will? 

Why, you kiss my shawl, my finger, 

And my hand is wet, dear boy ! . . . 

*'Not since Mary died?" . . . You linger 
On the words, "our child, our joy." 

36 



Cadences 

You have not been loving, tender? 

Nonsense, John, your brain's not right. 
Listen! Draw me near the fender . . . . 

Ah, the air is chill tonight. 

John, you say your "heart grew colder — 

Farming, politics, coal mine?" 
Ah, your cares have made you older. 

Grief has aged me, made me pine. 

I was lonely for my Mary, 

But I never spoke, dear John ; 
Life was ever, ever dreary. 

After all its hope was gone. 

I was not, dear John, a true wife. 

I should not have mourned so sore. 
God rebuked me, saw my grief -life ; 

My rebellion no child bore. 

All these years, my John, we've prospered ; 

We are rich, the neighbors say. 
We have acres — gold — you're honored — 

Yes, you're Congressman today. 

How you press my hand! I'm colder . . . 

John, the brandy and the air! . . . 
There, that's better. We are older 

Than we were that Springtime fair. 

36 






Cadencea 

When with blossoms — God — I'm dreaming. 

John, what say you love, "Forgive"? 
What have I to pardon, seeming 

Only half a wife to live? 

Only half a wife, John Bradley, 

Yet I loved you day and night. 
John, no heart ere beat so gladly 

Nor so proudly as that night 
Mine beat, when from town and county 

Came your friends, and at our door 
Oifered they their praise, their bounty, 

Honor and their trust in store. 
"Cheers for John, our own John Bradley! 

' ' Going to Congress ! " " Heard the news?' ' 
"News"? said you, as laughing gladly. 
You declared you would refuse. 

Then you came to me bedridden, 

As I lay here, ears quick-tuned 
To the words that you were bidden 

To accept the post. Communed 
We then, John, as not for long years. Oh 

Then you pressed a welcome kiss 
On my lips. I longed so for it! 

John, was anything amiss 
All these years? — Yes? you "grew worldly" 

And you say, "Forgive, forgive!" . . 

37 



dadences 

God, forgive thine own handmaiden 
Who has called thee oft unjust — 

God, is love, John . . . Meet me laden 
With the fruits of public trust. 

Meet me, John, in Heaven — I'm dying! 

Meet me — We will talk it o'er 
On the other side, where sighing 

Vanishes in spirit-lore. 

The sun kissed a snow-flake^ 

A man kissed a flower, 
A dead apple blossom — 

Oh for Zove's power/ 

John Bradley sat with bent, gray head 

Beside a pillow wet with tears. 
"Oh that I could have died instead," 

He said, "or bring back vanished years." 
John Bradley ne'er to Congress went. 

Men said he mourned his wife. He knew 
How deep remorse in shaft is sent, 

When Death's sting touches lives untrue. 

The sun kissed a gray head, 

Which bent for an hour 
O^er a grave on the hill-side — 

Oh for Love's power! 
POMMERN, July, 1897. 

38 



Cadences 



HYMN. 

The following Christian Endeavor hymn comes to 
us all the way from Beriin. It was written by Edith 
Winn, of the Berlin Christian Endeavor Society. — 
Golden Rale, Boston. 



2|^IL0T, who across the ocean 
^ Guided us, thy pilgrim band, 
Shielded us from storm and tempest 
In the hollow of thy hand. 
Guide us, band of earnest seekers. 
Guide us to the truth and light ; 
We are pledged to do thee service. 
Train our hearts and minds aright. 

II. 
Pilot, we would be a beacon 

In the world so full of sin, 
A revolving light to others. 

Light reflecting, light within. 
Pilot, draw us closer, nearer. 

We are very far from home. 
Bless our dear ones o'er the ocean. 

Bless us as we wider roam. 



39 



Cadences 

III. 
Pilot, make us valiant sailors, 

Loyal first to thy command ; 
Heart and intellect in service, 

True to God and native land. 
Pilot, signal in the darkness 

To the Ships of nations, tossed 
On the sea of Doubt or Error, 

Hail our brothers ere they're lost. 

IV. 

the day, the glad day hasten. 

When our banner shall be known 
From the Indies to the Arctic, 

From the hut to monarch's throne. 
the day, the glad day hasten. 

Of the brotherhood of man. 
And the triumph of the Gospel, — 

God's most perfect, holy plan. 

Mar., 1897. 



40 



Cadences 



A NEW ENGLAND VILLAGE, 1879. 

From Janet's Diary. 

HEN the evening lamp is lighted, 

And the supper cleared away, 
In our wide old farm-house kitchen 
There is joy more than by day; 
For, my father, feet in slippers, 
You sit puflEing curly wreaths 
From your pipe of clay, and softly 

Talk to yellow Tab, who breathes 
"With a sage delight in purring. 

As his back you soft caress. 
While with other hand you fondle 
Me and compliment my dress. 

Mother sits at table mending ; 

Brother plays with tops and balls, 
Or he takes a ride on horseback. 

Till from rocking-horse he falls. 
Now you sit and talk of weather, 

Grandpa with his almanac. 
Or you read aloud the Herald — 

Politics — baseball — the track. 



CaDenccs 

Brother plays make wooden houses 

With his blocks. I read alway, — 
Dickens some and Hawthorne also, 

Wondrous tales (too old, you say) 
Wondrous fairy tales in English, 

Grimm's and Anderson's, and then 
Little Women — all of Alcott 

Not forgetting Little Men. 
How the time flies, till at signal 

Mother's black eyes dance and gleam. 
She is conscious what is coming, 

Little mother at her seam. 
Yes, tis coming from the bed-room. 

Well worn case with battered side. 
Quaint sarcophagus 6f pine wood — 

Nightly solace — father's pride. 
Ah, within its sacred lid there 

Lies a thing of wood so dear 
That my father's eyes grow brighter. 

Younger he by twenty year ; 
And the sight of that old fiddle 

Makes dear grandpa boy again. 
Out it comes and then the tuning. 

D sobs, A wails, E rasps — then 
Comes a struggle with the G string — 



42 



Cadences 

See saw, see saw, shiver, wail, — 
Father holding bow like hammer, 

With his chin to fiddle's tail. 
Then from bed-room I, quite bashful, 

Bring my little violin. 
Seat myself at father's elbow, 

Neck to neck and chin to chin. 
Long we sit and play together 

Blue-backed "Winner's old Duets," 
Eeels and Jigs and country dances 

(Minus dancers) — well-worn pets. 
Sometimes little brother helps us 

With his shrill-toned flageolet, 
Till his eyes go drooping softly; 

Bed claims him — we're left duet. 
Nine, the old clock in the corner. 

High old relic of our race. 
Strikes, its pendulum slow moving; 

With its stroke to bed — best place. 
Clock, I feel the nightly picture 

Without you were not complete. 
As I give one look behind me, 

Ere to bed I softly creep. 

BOSTON, 1885. 
Years have passed — Another picture : 
Grandpa's laid at rest. Alone 

43 



Cadences 

By the evening lamp my parents 

Muse. The fiddle gives but moan. 
Good night father, good night mother, 

Good night childhood, glorious, free ; 
Welcome larger growth, my fiddle. 

In Conservatory we ! 
Ere I turn Life's pages over. 

Dear God, keep the childhood bright, 
Keep the purity and home love, 

Help me aye to live aright ! 

BEELIN, 1890. 

Swift hegira. Time, fly backwards. 

Evanescent dream, more clear 
Strike my clouded, half -dim retina; 

Come back home-land, youth and cheer. 
I am tired, alone and friendless, 

Weary with the noise and din, 
Of a heartless, foreign city ; 

I am mutable within. 
What care I for worldly praises, 

Sycophantine words unfelt? 
New friends never speak as old ones, 

Souls don't meet and hearts don't melt. 
Oh, I must recall youth's pictures, 

Though they're never more the same, 



44) 



Cadences 

Never more can impulse give me, 

Having nought to do with fame. 
E'en the glow upon the hill top, 

By my father's farm-house door. 
Seemed last year to 've lost its splendor ; 

Sunset too no radiance wore ; 
All the beauty of the elm-trees 

Seemed so common to me, too; 
I was restless and ambitious, 

Having larger things in view. 
There were scars upon the landscape. 

There were shadows on the hill, 
There was soughing in the pine trees, 

When night came and all was still. 
We were sitting in the kitchen. 

I was going o'er the sea. 
Father sighed and mother whispered, 

"Sands shift for ETERNITY." 
So I left them, sad yet hopeful. 

Thinking to come back some day, 
Less a fiddler, more an artist — 

Now my heart's abandone! 
True there's beauty in these classics, 

Arbiter I am not yet. 
Will the world of art be richer 

For my life? No, habits fret. 



45 



CaDences 

Do they make me any happier — 

Etude, jocund scherzo, gigue? 
All offend me. All are nettling. 

Have for me some vague intrigue. 
Reveries and trembling Romanze, 

Largo much and Placido, 
For my mood Midsummer Night's Dream — 

That beloved Notturno 

So I wrote last night and heute 

I have heard an artist play. 
Feats of skill that made the senses 

Reel astonished^by his sway 
Were as naught to me; I, famished. 

Heard but beauty, subtle, fine. 
Then, all passion-roused by genius. 

Drank I in the glorious wine 
Of that Rondo — G dur — Haydn, 

Then a Romanze — his own best. 
Sympathy, God-given physician, " 

Stilled the pain that racked my breast. 
Hope he played and life and action, ■ 

Love for every human thing. 
So the artist preached my sermon, 

At his music care took wing. 
Greatness caught my moody envy. 

Shamed it. I bowed low to him. 



46 



CaDences 

My scintilla from the artist 

Gave me purpose. Past was whim. 
His a grand, a high commission, 

Mine not less a call from God, 
Call to make the world the richer 

By each daily act and word. 
To my nobler self triumphant 

Played the artist one rich strain 
That shall live with me forever — 

I am victor after pain. 

Berlin, October, 1896, 



CaDences 



TO MISS C. G. 

.AIL to thee, Hail to thee, child of a King! 
God speaks in thee 
Through sympathy. 
Eternity — 
Blest Trinity 
Lent thee a Song, glorious Song to a King! 

Music, thy soul's strongest instinct, we bless. 

All who hear thee 

Better must be; 

Thou are so free, 

Touching each key — 
Magic in touch — a half-sensuous caress. 

Woman, half child, true musician thou art, 

Heart in thy tear. 

Tone without fear; 

God placed thee here — 

He is oft near, 
Seeking through music to touch the world's 
Heart. 

48 



dadences 

Back through the ages thy soul had its birth. 

Thou, as a child, 

Felt it and smiled ; 

Yes, thou so mild 

Blessed, ne'er defiled. 
With thy sweet symphony, not of the earth. 

What has been given thee, child of the South — 

Warm temperament, 

Sweetest content. 

Grave sentiment. 

Passion all lent — 
Cherish it, nurture it, prayer in thy mouth. 

Some day thou, standing before a white throne, 

Talents received, 

Losses retrieved. 

Sorrows relieved. 

Glory achieved — 
All to the King must give back as His own ! 

Berlin, May, 1897. 



49 



CaDencea 



C. E. HYMN. 

To the Y. P. S. C. E., Berlin, 1896. 

Words by Edith Lynwood Winn. 

Music by Isabella Beaton. 

I. 
OVING God on Thee we call, 
'Thou to us art all in all. 
Holy Saviour, Heavenly King, 
Offerings to Thee we bring. 

II. 

When on earth Thy children meet. 
Laying trophies at Thy feet. 
Thou dost bless Thy pilgrim band, 
Serving Thee in a foreign land. 

III. 
Thine the hand and Thine the brain. 
Thine the heart we seek to train ; 
Thine the life we give to Thee, 
Ere we crossed the stormy sea. 

IV. 

Take our talents, they are Thine; 
Bound our band Thy love entwine, 



GaOencea 

Love that knows no creed nor race, 
So wide-reaching is its grace. 

V. 
Father, now Thy children here 
From all lands are gathered near. 
That they may but serve Thy plan 
For the brotherhood of man. 

VI. 

As we pass on Life's highway. 
May the word that we shall say 
Be remembered in Thy love, 
When Thy children meet above. 



51 



CaDences 



TO A FRIEND ON HER DEPARTURE 
FOR INDIA. 

21 MET thee and passed thee on Life's broad 
^ highway ; 

I touched thy soft hand — an electric relay 

'Twixt my life and thine — 

No need to entwine 

Our fingers. 'T was day! 

I looked in thine eye and beheld Truth and 

Love — 
Thy blue eye, as blue as the Heavens above. 

Thine eye hath a Star ; 

It came from afar — 

I saw it. 'T was day ! 

What is it I caught in thy gentle, sweet face, 
In hand and in eye, in thy womanly grace? 

Thou'rt not an old friend; 

Our paths different trend. 

No matter. 'Tisday! 

I need not to try thee, my friend of an hour ; 
The glance that I caught in thine eye gave me 
power. 

52 



Cadences 

Our souls met and spoke — 

Our pulses awoke. 

I loved thee. 'Twas day! 

God bless thee sweet sister, so soon complement 
To him, whose existence less full and content, 
Less complete were alone ; 
Twin souls, two-in-one 
Thoushaltbe. 'Tis day! 

Bon voyage alone to the Land of the Sun — 
Fair India, Malaya, where dwells thy loved one. 
Safe passage my Star, 
Safe anchor afar. 
He greets thee. 'Tis day! 

I see thee in vision, thy robe purest white. 
Thy hair crowned with blossoms for Hymen 
bedight. 

His Star thy bright Sun, 

The day when made one 

At the altar, 'Tis day! 

Long life to thee, sister, and ministry sweet. 

I know not if ever on earth we shall meet, 
Again touching hand. 
Glad faith ours. Bright land 
When life's over. , . All's day! 
Berlin, May, 1897. 

63 



CaDenced 



TO MISS S. M. 
I. 
21 HAVE struggled with Life's problems, 
^ Like an agonist in quest 

Of a prize so wondrous fashioned 
That its image brought unrest. 
Striving vainly, something whispered, 
"Child, Whatever Is is Best/' 

I have struggled with ambition, 

Thought none should my mood molest, 

Lest I lose the spark of power 
God had placed within my breast. 

Failure came. Self shrank. God whispered, 
"Child, Whatever Is is Best." 

Once I stood beside a pillow 

Which a weary head soft pressed; 

As I stood, the restless motion 
Ceased. A spirit sank to rest. 

'Twas a grey day in September — 
"Child, Whatever Is is Best." 

Others, climbing mountains higher, 
Seem with wealth and honors blest. 



CaScnces 

I have wealth beyond the mundane, 

And I wear no lordly crest. 
All my wealth is found in friendships — 

"Child, Whatever Is is Best." 

Friends are they who see the struggle, 

See the nobler side of quest, 
In penumbra weep beside us. 

Eclipse over, share our Fest, — 
Say in shadow and in sunshine; 

"Child, Whatever Is is Best." 

I would gladly stay beside thee, 

In thy friendly, friendly nest. 
But I go where duty calls me. 

Thou wouldst say, "With grief suppressed, 
Learn to bear Life's burdens nobly — 

Child, Whatever Is is Best." 

Doth it matter where we labor? 

To God's love we both attest. 
Out upon Life's broad horizon, 

Heads bowed, we look toward the West, 
There beholding in the sunset, 

"Child, Whatever Is is Best." 

Berlin, May, 1897. 



65 



Cadences 



EXTRACT FROM CLASS POEM. 

Delivered at the Framingham State Normal School. 
Forces for Truth. 



I 



RUTH needs no color, she is clad 
In her own spotless loveliness. 

One knows her best who seeks her most, 
The world will yet her light possess. 



Her radiance upon our way 

We must reflect from day to day, 

Else rays are lost whose power might give 
Some soul an impetus to live. 

Let us to self be true today, 

That higher self, God, known to thee. 
Day serves not light more precious than 

A consecrated life can be. 

The heart can be a royal throne; 

Let crowned Truth but dwell in thine. 
And thou canst rule the mighty world — 

Since thou hast God and Truth divine ! 



56 



Ca&cnccs 



TO BE OK NOT TO BE. 

Class Poem — Foxboro High School. 
Written at Sixteen Years of Age. 

21 N the midst of youthful dreamings, 
^ "While our hearts from cares are free, 
Comes to us a voice that sayeth : 
"Think! To Be or Not to Be." 

Once it called our Nation's Fathers, 

And in time by efforts grand, 
"Waved the flag of Independence, 

Peace proclaiming o'er the land. 

To another generation 

Came the voice: "Though you are free. 
Blackened is your fair escutcheon 

By the curse of slavery." 

"Freedom! shall it be or not be?" 
Shouted noble men and brave. 

The Eebellion closed, and Freedom 
Blessed the soul of every slave. 

As we meet the urgent question, 
We resolve to work with might 

In life's widening field of effort. 
Battling ever for the right. 

37 



Cadences 

How the myriad handed FUTURE 
Stretches out its shadowy palms, 

Cheering onward, urging upward. 
Showing us a thousand charms ! 

Obvious duties are before us. 

Shall we idly turn away. 
Putting oflE until tomorrow 

What we ought to do today? 

Time lost is never found again, 
And fancied "time enough" 

Soon bears one on from pleasures vain 
To fortunes hard and rough. 

A coward's heart is that which fears 

The trial for some good, 
Which falters throughout all its years, 

*'I dare not though I would." 

Constant toil all debts discharges. 

Sloth increases want and care 
And, like rust, consumes much faster 

Than the hardest labors wear. 

Youth is brief and time is fleeting. 

He who strives to reach the goal 
Finds ^each passing moment precious, 

As the seasons onward roll. 

68 



Cadences 

He who works with steady purpose 
Will not stop to question PATE 

For he knows that small beginnings 
Lead to issues truly great. 

Stern experience only teaches: 

They who learn to stand must fall. 

Failures are but ways to winning, 
If we follow Wisdom's call. 

Disappointments are but rain-clouds 
Sailing o'er the skies of LIFE, 

Darkening for an hour only, 
Bringing envy, grief and strife. 

Brighter shall the welcome sun be 
When the clouds have passed us by, 

And the rainbow. Heaven's true promise. 
Raises us to standards high. 

One ray, at least of sunshine bright 

Falls o'er a life most sad, 
And cheers, supports and comforts 

When the heart in gloom is clad. 

Each one's future, like the Phoenix, 

From the ashes of the past. 
Wings its flight, and rises upward 

To new heights, unknown and vast. 

59 



Ca&cnces 

Perhaps we ne'er can reach the heights 

To which we long to rise ; 
"We cannot all be first in fight, 

Nor all be great nor wise. 

To mingle in the busy hum 

Of life, tho' sad or gay; 
To think less of the ills to come, 

To labor more today ; 

To struggle onward in this sphere 

Until we find the true. 
To gain in wisdom every year : 

This is for us to do. 

What though we perish ere we reach 
The prize we would have won? 

Tis surely much for every man 
To see good work begun. 

Then let us aim to do our best. 

To have a purpose high. 
Work out that purpose fearlessly 

And every foe defy. 

Our labors are not reckoned less 

Because we fail to win. 
Then let us toward the FUTURE press 

And on new tasks begin. 

60 



CaDcnces 

This motto let us not forsake, 
'Twill strength and courage lend; 

'Twill put to flight all doubts and fears : 
"Look forward to the End," 

Look forward — you who fondly hope 

To make the END secure, 
Look upward too, and God will make 

Your progress safe and sure. 

And should you reach the mountain-tops 
Toward which Faith leads you on, 

And climbing, kind assistance lend 
To others faint and worn, — 

Then will your paths with others meet 

Upon the heights you see, 
Where you shall all together greet 

The vast Eternity, 



61 



CaDcnces 



AUF WIEDERSEHEN. 
<3k UF Wiedersehen, dear land toward which 
^^ I've looked 

Since girlhood's years with yearnings fond 
and vague, 
Believing that twixt me and thee a vast, 
Unknown, impossible and ne'er to be 
Dream-realized ocean gulf must be traversed, 
Ere I could drink from out thy classic fount; 
Believing that long years of steady toil 
There needs must be, ere from my slender hoard 
I dared to widen my horizon, and 
Sail to my land of dreams at the expense 
Of many golden pieces gained by wear 
Of body, nerves and brain two-thirds collapsed ; 
Oh land of fondest dreams, fair Deutschland, 

—say, 
What you have taught me that I did not know 

before ! 
One year with thee, one single soul-grown year. 
Wherein I learned the vague uncertainty 
Of living without compass fixed on one 
Bright star that never changes its white light, — 



Cadences 

The light that leads us to Life's highest goal: 
(I then believed God stony that he made 
Me wait upon His time to learn His will.) 
One year in which I looked upon the skill 
Of painters' hands, which have more dee'ply 

wrought 
The story of men's lives than men themselves, 
In those fine museums, where to rest awhile — 
A day or two, a week or e'en a life. 
Were but to see the world in miniature ; 
One year in which my daily, lightest task 
Forbade a wish to peer into the life 
About me, lest it might deter me from 
My self-imposed seclusion with etudes. 
Oh year, the fairest of the rose-leaved past, 
My treasure year in Deutschland, goest thou 
As other years into the umbra-past? 
No, no thou cannot die, my aureole year, — 
Thou cannot die, nor can thou ever lose 
The freshness and the verdure of a time 
When youth and hope vivacious bow the head. 
As all the sterner tasks and sterner mould 
Of womanhood begin to serious set 
The features, and to knit the youthful frame 
Together with the sinews of restraint, 
Of patience and of hope and peace with God . . 
What have I learned save music more to prize, 

68 



Cadences 

Since I have learned it from the Meister hand 
Of one in whom there lives and nobly rings 
Such echoes from the Spirits of the past — 
The wondrous beauty of Sebastian Bach, 
The stately grandeur of a Beethoven, 
The holy fire of Mendelssohn, the glow 
Just vanished of a brother Brahms, beloved? 
You know of whom I speak in words that fail — 
Of great Joachim and his serious school. 
'Twas in the labyrinth of strange, new truths 
Of bowing and of phrasing, grounded fast 
Into the satellites — those loyal men 
Who long with him had studied — loved him 

too — 
That I became myself a devotee 
To all that was Joachim-like in thought. 
I played from morn till night, and every glimpse 
I caught of what seemed maze to me at first, 
Enriched my nature, filled me with new zeal 
To strive to conquer, and to feel in touch 
With those emotions which, in truth, must 

spring 
From deepest music-love intuitive, 
Not taught in tricks of bow nor technic's skill. 
And did I have this in my soul — this love 
Of music and the power to voice desire? 
No, I did not, but in the vague pursuit 



Of that toward which my nature cried, I found 
My heart to sympathy most deeply stirred, 
Till all the world to me was brother — friend. 
This then, in short, is what I learned, the while 
I spent the bright gold-bits which I had saved, 
Nor prized save that they spoke of toil God 

blessed 
By trailing friendships in my labor's wake, — 
This learned I, as all men may learn : 
That what is in your soul will sing aloud ; 
It may not be in music nor in art, 
It may not e'en be heard amid the crowd. 
But what you take of beauty to your life 
"Will broaden it, and make it bear rich fruit 
For time and for that larger cycle dim, 
Whose end shall see us stand amid the throng 
That press about the shining form of Him 
Who made us one with Him by precious blood. 
Then shall we learn what we have done on 

earth, 
And how He treasured it in His rich store. 

AUGUST 14, 1897, PASSING OUT OP THE ELBE 



66 



CaDcnces 



A GERMAN IDYL. 

^JltWO dusty flowers bent forward mid the 
c^ grain 

To catch a drop of dew, 

A ^^guten morgen,^^ too, 
For they were very friendly in the main. 

Two lovers passed upon the broad chaussee, 
Marie, a peasant maid, 
And Hans, the gardener's aid, — 

Two lovers who had kissed but once that day. 

"0 Hans," the maiden whispered, as she spied 

The kaiserblume blue, 

And the poppy, drinking dew, 
"The flowers kissed while standing side by 
side." 

Young Hans sprang down and, with a manly 
grace. 

He plucked the kaiserblum^ ; 

He plucked the sweet mohnblum' ; 
And touched each lightly to the maiden's face. 



Cadences 

*'Thou art," he said, "the fairest of all flowers. 

Thou kaiserhlume blue ; 

To thee I will be true 
Until the day when we shall gladly wed." 

*'And thou, dear Hans," the maiden sweet 
replied, 

"Shalt be my poppy red. 

And thou shalt win me bread 
With sweet mohn flavor full supplied." 

He kissed her fair young cheek that brightly 
glowed. 
As down the broad chaussee 
They walked that August day, — 
While two sweet flowers lay dying in the road. 
POMMERN, Aug., 1897. 

Note. — The kaiserhlume, or corn-flower, is the na- 
tional flower of Germany. It is said that Queen 
Louise, after her flight from Berlin, during its occupa- 
tion by Napoleon, was, with her two children, jour- 
neying along a country road, on each side of which 
grew hundreds of corn-flowers amid the grain. The 
children were so delighted with the pretty flow^ers 
that they alighted from their carriage and picked a 
large bouquet for their beautiful Oueen mother. 
From that time the corn-flower has been the national 
flower of German^', since it was the wish of the Queen. 

The mohnblume, or poppy flower, also grows in the 
grain fields. It is very fragile and a beautiful scarlet 
in color. The seeds of the flower are used in German 
biscuits, or brotchen, and are considered to be of fine 
flavor. 

67 



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